women artists building bridges between cultures

This is the celebration of the national harvest day, a cultural festival in which communities come together to share the harvest.

The artwork is a memory of a dress, that was stolen from the artist when she was a teenager, by her cousin who molested her.

The great journey we make through life, is simply the story of a soul starting from beyond the bounds of eternity, sojourning through time, and on, into other realities. While we pass through many dawns and midnights, shedding our multiple selves till we attain refinement, we may lose our paths, but purpose has a lifeline that restores us. What we leave behind, is a bold legacy, across the face of time with consistency; change being the only dynamic constant.

In Untitled, we are presented with fresh and vivid colours some of which reference the vegetation and topography of Lamu island.

These pieces are about the new way I look at black women’s bodies. Racialized women face many challenges, starting with claiming their sexual and reproductive rights- the right to own their body.
The wearing of masks relates to the current Covid-19 safety measures. Without a full face to look at, the women could be anybody, leaving the viewer to superimpose their own person.

Expresses the cry of a woman who wants to be allowed to show and realize her full potential, without being held back or governed by her biology.  She peels off her skin like a shell and pours out her hidden potential to show what she is capable of, if given the chance.

Kgosigadi means Queen in the Setswana language. Queen Mmanthatisi ruled the Batswana tribe, at the time over 40,000 people, in South Africa in the 19^th century. She was known for her excellent leadership and bravery. The Tswanas moved from different parts of Africa down south to Botswana and South Africa, thus the different colours on the Queen’s face.