Collection: Keep Out of Reach of Children II

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By: Lila Philiswa

South Africa, memory histories, collective frameworks of culture, authorship and agency, abstract

Iqhiya emnyama is a series of black beaded pieces. In these artworks I am reflecting on the ideas of isihlonipho(respect) amongst amaXhosa. Isihlonipho language is a valuable aspect of social life that is controlled by a set of rules which govern behaviour morality and conduct. Isihlonipho teaches about cultural norms and, thus, affects all members of an entire society from early childhood to adulthood.

The beaded artworks are my interpretations of iqhiya, the black head gear - known as ikhetshemiya - worn by a bride when she arrives at the home of the husband after marriage as a way of showing her respect to the family and ancestors. I use the symbol of iqhiya to reflect on the boundaries and restrictions set by cultural practices of isihlonipho within the process and stages of marriage. These beaded pieces take on various forms intended to draw on dwelling structural hierarchies within a home and how the process of isihlonpho is a show of commitment despite its discomforts, disadvantages and the suffering it can bring.

Ku Kwam Apha (2020-2023)

“Ku Kwam” means “My home” — a phrase repeated over and over by parents, reminding their children of the absolute authority a father has over his family. 

Ku Kwam (2020-2023)

“Ku Kwam” means “My home” — a phrase repeated over and over by parents, reminding their children of the absolute authority a father has over his family. 

Iqhiya emnyama series: Zandisile (2020-2023)

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